Bachelorette
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Bachelorette

Leslye Headland’s searing portrayal of toxic female friendships, accompanied by copious amounts of alcohol and drugs, leaves the audience exhausted and perhaps feeling a bit intoxicated – or hungover.

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The Wolves
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The Wolves

The Wolves consists of the conversations between the teenage girls on the team while they warm up for their games. Their conversations intertwine and overlap as they talk about everything from international news to the quirky behavior of their newest team member.

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The Birds
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The Birds

A sign at the entrance of The Birds warns audience members that the production contains the use of fog and nudity. However, neither of the two aspects of the play that require warning are shocking or frightening, despite the clear intention that they are.

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Quietly
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Quietly

Quietly presents confrontation decades in the making, in which grief and rage are served up in equal amounts and the past and the present combine all too easily.

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Cats
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Cats

Cats, which was embraced with numerous awards and a lengthy run on Broadway, presents a disturbingly patriarchal atmosphere obsessed with youth and beauty and tainted with slut-shaming and misogyny.

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The Women of Summer

The Women of Summer

When Ayad Akhtar brought his new play Junk to Vassar and New York Stage and Film’s Powerhouse Theater, the work was an unfinished product. Only two acts had been written of what would ultimately be a three-act play, so after the first two acts had been read to the audience, the playwright took on a new role: that of storyteller. Akhtar stood up and told the audience what would happen and how the play would end.

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Shrewd Taming

Shrewd Taming

Directed by Phyllida Lloyd, this performance of Shakespeare’s controversial play, by a fiercely talented and entirely female cast, inspires uncomfortable but crucial questions about the state of gender relations in America — especially with regard to one woman in particular.

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The Father/A Doll's House
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The Father/A Doll's House

Written by playwrights and famous rivals Strindberg and Ibsen, respectively, these plays offer gripping portrays of trapped women and, at first glance, their differing opinions of them.

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American Psycho
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American Psycho

The idea of setting to music a story of suppressed rage, gruesome murder and a bitingly sarcastic commentary on the greed and narcissism of the Me Decade was surprising and intriguing. But the result, directed by Rupert Goold, is a confusing combination of irony and sincerity.

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