The Front Page
Written by former newspapermen Ben Hecht and Charles MacArthur, this unapologetically vulgar comedy was first produced in 1928, and its age is showing. Directed by Jack O’Brien, the star-studded cast is all white, mostly men and incredibly misogynistic.
Dear Evan Hansen
This new musical, with a score by Benj Pasek and Justin Paul, and a book by Steven Levenson, follows the titular character, a painfully shy and anxious teenager who finds himself skyrocketing to popularity and online fame.
Heisenberg
A one-act, bare-bones look at the baffling interactions between two underwritten characters, Heisenberg offers a pretentiously philosophical take on the myth of the maniac pixie dream girl.
Holiday Inn
Holiday Inn, which was written by Chad Hodge and Gordon Greenberg, follows a song-and-dance team who part ways when Jim, determined to escape showbiz, buys a farm in Connecticut.
The Encounter
The meaning of time is constantly pondered, discussed and perhaps even escaped from by the protagonist of The Encounter, Simon McBurney’s new play on Broadway, but, for theatergoers at this overstimulating and exhausting production, it is never forgotten.
Changing the Script for Women Directors: Diane Paulus and Liesl Tommy
Diane Paulus, the director of the Tony-nominated musical Waitress, became a part of theatre history when they announced that the creative team for the musical adaption of the popular film would be comprised of women.
Michael Cerveris on the Closing of ‘Fun Home’: 'It Arrived on Broadway in the Moment it Was Most Needed'
When Michael Cerveris, who plays the closeted Bruce Bechdel in the Broadway musical Fun Home, begins his final song, “Edges of the World,” he sings: “I fucking love beginnings, flying high.”
